Its plot in tandem with engrossing special effects and convincing performances resulted in a thrill ride from start to finish, with each action sequence going down as a masterclass of camerawork, coreography, and storytelling in general. Bolivar Trask - played by Peter Dinklage - from developing gigantic, mutant-seeking robots called Sentinels. A solid premise meets greater execution as Wolverine goes back in time to stop Dr. Of course, Lawrence reprises her role as Mystique here in X-Men: Days of Future Past (2014), and frankly, this is likely the best project its entire franchise has produced. If Aronofsky worked out those gaping plot holes more concisely, the tangible tone of Mother! in tandem with its solid performances would’ve landed it higher on the list. Aronofsky calls his characters metaphorical and then renders them slabs of meat sans any rational thought. For as crazy as her husband is, she isn't much saner. But she had roughly a hundred-and-fifty-three chances to get out of the most absurd situations imaginable. It’d be just as easy to convince audiences that these characters are wizards with powers of time manipulation as it would be to explain why Lawrence’s titular character never left their home of outrageous happenings. But with Mother! (2017) by Darren Aronofsky, not even the top-tier efforts of Lawrence, Javier Bardem, Ed Harris, and Michelle Pfeiffer could sell the absurdity of its premise. ![]() And that same suspension of disbelief applies itself with horror movies, too. The characters in those projects are naturally going to toy with reality and shoot fireballs from their fists. Asking audiences to suspend disbelief with their science fiction or fantasy films is one thing.
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